The physical release of my album “Live in May” is almost ready. Thank you all for a big support! (You know who you are!)
There will be only 30 copies of the album. And soon it will be available online.
CLICK HERE to by the digital and physical release (soon).
Big square Photos – DEVELOPED !!
Recycled paper covers!
First inserts ready!
Writing with small stamps… a lot of work!
CDs are here!
Now you can read a very nice review of my album entitled “Remaining Sounds”, released by Dynamophone.com
The review was written by Richard Allen from A Closer Listen.
Review: Grzegorz Bojanek ~ Remaining Sounds.
Finally my new album is here. You can buy the special edition of the “Remaining Sounds” CD with a set of nice postcards + the mp3 download. The album was published by the California based label Dynamophone.com.
You can listen to the album here and buy the BandCamp download, too.
Soon both labels: sqrt and WEFREC will publish a nice compilation called “a sound guide to Warsaw”. So far, so good. The first review published by Vital Weekly is very good. Please read it below:
A SOUND GUIDE TO WARSAW (CD compilation)
Did I say I don’t like to review compilations? I must have. And sometimes I go all wrong, assuming the wrong things. Like here. I looked at the cover, reading about musicians and sound artists who ‘were asked to create a sound piece based upon and inspired by the field recordings made in Warsaw, Poland’, thinking it would be another one of those compilations with ‘soundscapes based upon field recordings’, lots of wind, crackle, streets-sound sort of things. That it is not, I can say, my assumptions were wrong. These field recordings lead up to a varied bunch of musical activities. Various of these lump in short actions into pieces of micro/glitch/ambient and even with dance like elements to it (like Bionulor, Seven Steven, Asdf, Krysztof Orluk, Michal Wolski) but also downright ambient with Kim_Nasung, Jarek Grzesica, Grzegorz Bojanek or Lukasz Ciszak. Odd balls are the jazzy instrumental piece by Noiko and the more noisy outings by Arszyn and Xlorite. Actually not many of the pieces seem to be dealing with just field recordings, so perhaps that’s the nicest thing about it: they all take it somewhere else. A pretty varied bunch, all of which sound alright, and nothing leaps out. (FdW)